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With this, we are introduced to a radically different heroine, situated outside the laws of patriarchal control, and who is beyond the possibilities of sacrificial annihilation, which was so central to von Trier’s earlier representations of women.
Backtrack to the hauntingly atmospheric Medea (1988), which demonstrates von Trier’s early aesthetic choices and themes.
Utilising a soft-focus, high-contrast style, von Trier created a low-budget masterpiece, through his impressionistic study of the witch, Medea (Kirsten Olesen), who murders her children in revenge for her husband’s betrayal.
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Certainly, one of the aspects that makes these women so problematic is that they are complex, unlike von Trier’s prior virtuous heroines.